The first was Crazy Heart: a little romantic drama in which everybody's favourite dude Jeff Bridges plays an embittered, alcoholic, past-his-peak rockstar called Bad. He's just plodding down the well-worn path of the classic washed-out musician, performing in bowling alleys, hooking up with any wrinkled lady who looks at him sideways, and bemoaning the lack of a bar tab, when along comes wannabe journalist and single mum, Jean (hello, Maggie, swoon). Of course, she's his One Last Shot; his chance to get all the shit together, drop the booze and write some more inspiring music. For her, however, Bad represents everything that's best avoided, and it's clear that their relationship will only last as long as her loneliness wins out over common sense.
The story that ensues is, yes, somewhat bland. This is the traditional push-and-pull of a doomed union, intercut with long long long character-driven scenes where not all that much happens. That's OK though, because the strength of the film actually lies with its two beautiful performers. Bridges is a force as this mumbling failure who somehow is never able to do up his belt buckle, and Gyllenhaal just sparkles as a sad woman uplifted by the promise of romance. Sure, it's a coupling that on first glance might make you vomit a little in your mouth, but you'll soon be swallowing that bile back because these two actually build a surprisingly sexy chemistry. All their shared glances and 'secret lover' smiles make you feel like you're witnessing something truly special take place. It was so lovely to watch, it almost recalled another sparkle/mumble couple; Heath Ledger and Maggie's own bro Jake G in Brokeback Mountain.
Boner Rating: pretty hot
Bonus Points for: Colin Farrell with a pony tail, lol.
Next up was 500 Days of Summer. Here we have another relationship that is doomed from the offset (if you miss that, the baritone narrator will remind you). Tom (played by Magda's Yr 7 Crush Joseph Gordon-Levitt) is a slightly uncool, greeting card creator with big romantic ideas, but Summer (swoon), despite her perfect hair and Disney princess eyes, has a more distant, coldly rational outlook when it comes to heart matters, and never really wants anything "too serious." In a most beautifully postmodern fashion we then skip to and fro through the 500 days they spend together (and apart), until these insightful little fragments gradually form a whole picture of their relationship's rise and downfall. So, does this feel like the scriptwriter's attempt to exorcise past heart break? Yes. Is that a problem? Nope - quite the opposite.
OK - yes, at first the film's cuttingly truthful approach to relationships can be a bit daunting, especially if you start with the trailer, aka "a collection of painfully familiar break up moments guaranteed to make you weep." I'll be the first to admit that it was really only the prospect of watching Zooey-in-cute-dresses that inspired me to take the plunge. Rationally, though, it's also true that the film's greatest strength lies in its relatability, which comes from the script, and also the two simple but well-executed performances. So, whether Tom is drawing a skyline on Summer's arm in biro, whether the two of them are playing house in IKEA, or whether they're arguing over their favourite Beatle , we consistently get that deep, stomachy "I've been there" feeling - and this emotional weight is exactly what makes the film so ultimately moving. And, in the end, while it is at times harrowing (and at times, a little exaggerated! don't shoot me for saying it!), it also does a great job of celebrating the way people influence and shape one another, even if they don't stick around forever. Ultimately, it's as uplifting as it is depressing, which is a truly beautiful thing - and really as much as any scriptwriter could hope for.
(Also: Zooey's hair is amazing and now I am considering a fringe.)
Boner Rating: fire hazard hot
Bonus Points for: vintage fabric, the production design in Summer's apartment and the animated blue bird.
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